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Posts Tagged ‘Geek Girl Con’

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Although she was born in 1947, Riyoko Ikeda is included in the Year 24 group along with Moto Hagio and Keiko Takemiya, whom we will discuss later. Best known as a manga artist, Ikeda also worked as a scenarist; in 2001, she enrolled in and later graduated from music school, where she studied opera.

The Rose of Versailles Volume 2

Cover of an edition of Berusaiyu no Bara, Vol. 2, featuring Oscar and Marie Antoinette in portrait on a blue background

Ikeda’s works include Berusaiyu no Bara (The Rose of Versailles, or BeruBara), Oniisama e (To My Elder Brother), and Orufeusu no Mado (The Window of Orpheus). Many of her manga are historical fiction that examine topics in gender and sexuality; some feature queer or gender- nonconforming characters. While she does focus somewhat on coming-of-age romances, which are topics typically featured in shojo manga, Ikeda wrote about adult relationships, particularly in The Rose of Versailles, as well as gender identity, political upheaval, and class issues.

The Rose of Versailles is arguably one of the most famous and most influential manga ever. (more…)

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My co-panelist and friend Dr. Kathryn Hemmann of Contemporary Japanese Literature and I teamed up again at Geek Girl Con 2015 to give an improved version of our “Crossdressing in Anime and Manga” panel as well as a brand-new panel, “The Sparkling World of 1970s Shojo Manga,” originally presented Oct. 11, 2015. We are pleased to present a multi-part series based on the latter panel on this blog. We’d also like to thank not just our readers and panel attendees but the awesome section of teens who sat in the front row and squeed at all our pictures, especially Oscar’s.

Panel description

Shojo manga, or manga for young women, is at the center of a thriving comics publishing industry in both Japan and the United States. The legacy of shojo manga is readily apparent in contemporary media from Sailor Moon to Steven Universe, but where did it all begin? This panel offers a glimpse into the classic works that shaped the genre and still inform international fan cultures. Join us to learn more about graphic novels filled with romance, political intrigue, and tons of gender trouble. We’ll introduce you to the work of legendary artists such as Riyoko Ikeda, Moto Hagio, and Keiko Takemiya while celebrating the appeal of illustrated explosions of flowers that rival the flowery speeches given by fascinating characters.

Kyoto Manga Museum

Kyoto International Manga Museum [image: ceiling-to-floor shelves of 1980s manga, with each shelf labeled by year at the Kyoto International Manga Museum]

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The spiritual companion of the Geek Girl Con panel “Changing Culture in Mainstream and Alternative Spaces” was a discussion of the problem of bullying in the cosplay community and possible solutions.

Via George Takei and Fandoms and Feminism.

Via George Takei and Fandoms and Feminism (full text).
Image: meme-maker accuses Duela Dent cosplayer of “trying too hard” in a “steampunk gender-swapped Joker in a Willy Wonka hat.” Tumblr users give the OP what for.

“A Community Divided: Bullying within the Cosplay Community and How to Solve the Problem”
From 4chan to Tumblr, the Internet has created an anonymous forum where belittling and trash talk have become the norm, and standing up for someone isn’t noble. In this panel we will be discussing the types of bullying prevalent in the cosplay community, the concept of “white knighting,” our own personal experiences with bullying, and how bullying is affecting attracting potential cosplayers. With panelists Christopher Vance, Erin Gose, Katie Murphy, Lauren Crosson, and Son Young Yu; moderated by Stephen Wilson.

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I attended Geek Girl Con in Seattle over the weekend, and it was beautiful. I’d like to recap some of the panels and provide some commentary and helpful links.

First of all, why does Geek Girl Con, now in its third year, exist? The panelists for “Changing Culture in Mainstream and Alternative Spaces” discussed how GGC came about and what we can do to make geekdom safe and fun for everyone.

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