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Archive for the ‘Visual Culture’ Category

In this gender reader: how to discuss nonbinary genders in Japanese, gross anime tropes, a shôjo manga release and a 20th anniversary, and more!

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Image: Chihiro from Spirited Away runs through the town as the spirits come out to go to the bathhouse

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Over the summer, I had the chance to see Yayoi Kusama’s Infinity Mirrors at the Seattle Art Museum. This was my first time seeing any of her work in person, and it was well worth getting a new membership for me and my partner.

These photos focus on the art that was not the Infinity Mirror Rooms, since you can’t really take a quick photo without getting yourself in it, too. Photos of the Infinity Mirror Rooms can be found on the SAM website, though.

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After a long hiatus, Japan Gender Reader is back! We’ve got queer stats, queer ice skaters, Yayoi Kusama’s art coming to the US, and more:

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The installation, “Infinity Mirrored Room — Aftermath of Obliteration of Eternity” at the Hirshhorn Museum and Sculpture Garden . (Photo by Bill O’Leary/The Washington Post)

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LINE has some new stickers from The Rose of Versailles (BeruBara)!
Translated from InternetCom.

Is the lovely Oscar-sama now spewing Internet slang?

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(c)Ikeda Riyoko Production [Image: Rose of Versaille LINE stickers with the characters using Kansai Internet slang in Japanese.]


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IMG_0597We’ve discussed gender and female movie monsters, but which monsters are often coded as masculine? Stinekey on Lady Geek Girl discusses werewolves:

Vampires might represent a powerful person draining us of our own power for personal gain. Zombies drawn on our fear of pandemics and the ignorant masses destroying those of us just trying to survive. But what about werewolves? The most common answer I find is that werewolves speak to the changes a teenager experiences during puberty. Pisces already explored how this dynamic works in Teen Wolf. But if that’s the case, then where are all the female werewolves?

 

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Quick video link today via Buzzfeed’s “If Women In Horror Films Were Played By Men.” (Video is slightly NSFW.)

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HT to Bitch Media! This article is just too good for a social-media shout-out.

Lisa Hix interviews Trina Robbins and Steve Leialoha about the history of women comic artists, comics about women, and women comic-readers in regards to Robbins’ 2013 book Pretty in Ink: North American Women Cartoonists, 1896-2013 (Fantagraphic, which also published No Straight Lines).

Trina Robbins’ cover for “It Ain’t Me, Babe” the first women’s liberation comic anthology, first published by Last Gasp in 1970. (Via “Pretty in Ink”, via Collectors Weekly)

Trina Robbins’ cover for “It Ain’t Me, Babe” the first women’s liberation comic anthology, first published by Last Gasp in 1970. (Via “Pretty in Ink”, via Collectors Weekly)

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