“From now on I’m Alan of Trebond, the younger twin. I’ll be a knight.”
And so young Alanna of Trebond begins the journey to knighthood. Though a girl, Alanna has always craved the adventure and daring allowed only for boys; her twin brother, Thom, yearns to learn the art of magic. So one day they decide to switch places: Disguised as a girl, Thom heads for the convent to learn magic; Alanna, pretending to be a boy, is on her way to the castle of King Roald to begin her training as a page.
But the road to knighthood is not an easy one. As Alanna masters the skills necessary for battle, she must also learn to control her heart and to discern her enemies from her allies.
Filled with swords and sorcery, adventure and intrigue, good and evil, Alanna’s first adventure begins — one that will lead to the fulfillment of her dreams and the magical destiny that will make her a legend in her land.
Archive for the ‘Gender’ Category
CHIHO AOSHIMA: REBIRTH OF THE WORLD
MAY 2 – OCT 4 2015
Seattle Asian Art Museum
Here’s what I love about Chiho Aoshima’s show, in a nutshell: the repetition of the theme of the delicate sylph whose flatulence creates smoke clouds billowing from volcanos while Buddha and entourage look on.
Aoshima’s digital and hand drawns are in the superflat style, but whereas the tween-girl characters of Mr.’s show had cutesy moe details, like bandaids and pigtails, Aoshima’s figures reject that aesthetic. Her mural-size piece Rebirth and the video installation Takaamanohara have been compared to Hieronymus Bosch’s The Garden of Earthly Delights.
Welcome, readers, to the June 2015 edition of the Non-Binary Book Club! This month (and for the next few months), we’ll be taking a look at non-binary gender expression in Tamora Pierce’s Song of the Lionness quartet, starting with Alanna: The First Adventure (1983).
The mild spoiler below is necessary to explain the non-binary aspect and why we chose this series for our club.
Welcome to the inaugural posting of the Non-Binary Book Club! This is a review (with the mildest of spoilers) of Ann Leckie’s Ancillary Justice (2013), which won the 2014 Hugo and Nebula Awards–and our hearts.
What’s the Non-Binary Book Club?
Our focus is on books (and media) about characters with non-binary sexualities, gender identities, or gender expressions. That is, characters who are bi/pansexual/queer-identified, or whose gender expression or identity is not strongly fixed to the gender binary (may include agender, transgender, gender-nonconforming, gendervariant, genderfluid, intersex [as identity], non-binary, genderqueer, et al). We tend to read speculative fiction novels (as opposed to non-fiction, including autobiographies), but graphic novels, comics, and short stories may be on our list.
On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest.
Breq is both more than she seems and less than she was. Years ago, she was Justice of Toren–a colossal starship with an artificial intelligence linking thousands of corpse soldiers in the service of the Radch, the empire that conquered the galaxy.
An act of treachery has ripped it all away, leaving her with only one fragile human body. And only one purpose–to revenge herself on Anaander Mianaai, many-bodied, near-immortal Lord of the Radch.
Major themes: the intersections of gender, colonialism, religion, language, race/ethnicity, music
I HAD SUCH HOPE FOR YOU, MARNIE.
To be clear: I have not read the book, and I assume the movie is faithful to the original plot points.
Review contains so many gifs and some spoilers–the plot twist is embedded in a link, but there are a lot of pictures.
Miyazaki protégé Yonebayashi adds Studio Ghibli magic to Joan G. Robinson’s classic ghost story of a shy teenage tomboy who befriends a young blonde girl who may not be of this world. Subtitled, Ages 8+.
Here was my thought process throughout the movie:
HOORAY A NEW GHIBLI FILM
oh my GOD ARE THEY TINY QUEER BABIES