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Check out the (mostly spoiler free) review of Gone Home, an atmospheric feminist game on Steam, that I wrote for Comparative Geeks:

Gone_Home

When I joined Steam, the first game [my younger sister] sent me was Gone Home, a game about sisters. You’re Kaitlin “Katie” Greenbriar, the older sister, who arrives back in Oregon after a year abroad in Europe to discover the lights are on but nobody’s home at her parents’ house–and there’s a mysterious note from her younger sister on the door.

 

June 7, 1995. 1:15 AM.

You arrive home after a year abroad. You expect your family to greet you, but the house is empty. Something’s not right. Where is everyone? And what’s happened here?

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Make sure you always know what we’re reading, citizen, with the new Non-Binary Book Club master schedule.

Leckie_AncillaryJustice_TP-220x325

LOOK AT THIS 80S-TASTIC COVER

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Source [Image of Oscar the Grouch holding a sign that says “I heart trash.”]

Source [Image of Oscar the Grouch holding a sign that says “I heart trash.”]

Here’s a humor(?) article I never guessed end up writing, and just in time for Tanabata!

“Why is Florence + the Machine’s How Big, How Blue, How Beautiful the soundtrack to my trash ship?”

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You’re in a quiet theater, watching the previews for the latest action ensemble movie. Out of the silence you hear it–

But what if they were all women?

Lumberjanes v1

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Content warning: 2011 Tohoku Earthquake and Tsunami, survivor’s guilt, PTSD, natural disasters, mentions of suicidal ideation, drowning, heights.

Donate to relief efforts here.

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As with many of the stories contained within Yoshiya’s Hana monogatari, “Yellow Roses” ends in tears. The story’s focus is not on plot, however, but rather the beauty of the two young women and the depth of their feelings for one another. Entire paragraphs are spent on detailed descriptions of mournful eyes and chiseled cheekbones, and the poetry of Sappho is quoted at length. As in the above passages, Yoshiya’s writing is characterized by fragments and ellipses, which heighten the emotional impact of certain scenes while leaving the reader free to fill in the suggestive gaps in the text with her imagination.

Contemporary Japanese Literature

Yellow Rose

Title: Yellow Rose
Japanese Title: 黄薔薇 (Kibara)
Author: Yoshiya Nobuko (吉屋 信子)
Translator: Sarah Frederick
Publication Year: 2014 (America); 1923 (Japan)
Publisher: Expanded Editions

I’m absolutely thrilled to write that one of Yoshiya Nobuko’s stories has finally appeared in a readily available English translation. “Yellow Rose” is drawn from Yoshiya’s acclaimed collection Hana monogatari (Flower Stories), which first appeared in print in the 1920s and has been a major guiding influence in shōjo manga, literature, and aesthetics. Thankfully, Yoshiya’s fiction is not just important from the perspective of literary history but also a true delight to read.

The short story “Yellow Rose” is about Katsuragi Misao, a twenty-two-year-old college graduate who accepts a teaching post at an all-girls prefectural academy “a thousand miles distant from Tokyo” to avoid getting married. On the train departing from Tokyo she meets Urakami Reiko, who happens to be a student entering her…

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The Writing Process

David of DBCII and Comparative Geeks nominated me for The Writing Process Blog Tour. Normally I’m a little shy about meta-blogging, but I think that this is a really interesting look at bloggers “behind the scenes,” and I enjoyed writing it. We’ve been geeking out together for 10 years now, and it’s always fun to compare notes.

The Rules

In the words of Gene’O:

The rules are very simple and, if I may say so, designed to not require a lot of work, which I truly appreciate:

  1. Link to the blogger before,
  2. answer 4 questions,
  3. and nominate 3 bloggers to keep the hop going.

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