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Source [Image of Oscar the Grouch holding a sign that says “I heart trash.”]

Source [Image of Oscar the Grouch holding a sign that says “I heart trash.”]

Here’s a humor(?) article I never guessed end up writing, and just in time for Tanabata!

“Why is Florence + the Machine’s How Big, How Blue, How Beautiful the soundtrack to my trash ship?”

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You’re in a quiet theater, watching the previews for the latest action ensemble movie. Out of the silence you hear it–

But what if they were all women?

Lumberjanes v1

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Content warning: 2011 Tohoku Earthquake and Tsunami, survivor’s guilt, PTSD, natural disasters, mentions of suicidal ideation, drowning, heights.

Donate to relief efforts here.

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LM:

As with many of the stories contained within Yoshiya’s Hana monogatari, “Yellow Roses” ends in tears. The story’s focus is not on plot, however, but rather the beauty of the two young women and the depth of their feelings for one another. Entire paragraphs are spent on detailed descriptions of mournful eyes and chiseled cheekbones, and the poetry of Sappho is quoted at length. As in the above passages, Yoshiya’s writing is characterized by fragments and ellipses, which heighten the emotional impact of certain scenes while leaving the reader free to fill in the suggestive gaps in the text with her imagination.

Originally posted on Contemporary Japanese Literature:

Yellow Rose

Title: Yellow Rose
Japanese Title: 黄薔薇 (Kibara)
Author: Yoshiya Nobuko (吉屋 信子)
Translator: Sarah Frederick
Publication Year: 2014 (America); 1923 (Japan)
Publisher: Expanded Editions

I’m absolutely thrilled to write that one of Yoshiya Nobuko’s stories has finally appeared in a readily available English translation. “Yellow Rose” is drawn from Yoshiya’s acclaimed collection Hana monogatari (Flower Stories), which first appeared in print in the 1920s and has been a major guiding influence in shōjo manga, literature, and aesthetics. Thankfully, Yoshiya’s fiction is not just important from the perspective of literary history but also a true delight to read.

The short story “Yellow Rose” is about Katsuragi Misao, a twenty-two-year-old college graduate who accepts a teaching post at an all-girls prefectural academy “a thousand miles distant from Tokyo” to avoid getting married. On the train departing from Tokyo she meets Urakami Reiko, who happens to be a student entering her…

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The Writing Process

David of DBCII and Comparative Geeks nominated me for The Writing Process Blog Tour. Normally I’m a little shy about meta-blogging, but I think that this is a really interesting look at bloggers “behind the scenes,” and I enjoyed writing it. We’ve been geeking out together for 10 years now, and it’s always fun to compare notes.

The Rules

In the words of Gene’O:

The rules are very simple and, if I may say so, designed to not require a lot of work, which I truly appreciate:

  1. Link to the blogger before,
  2. answer 4 questions,
  3. and nominate 3 bloggers to keep the hop going.

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Speaking of geekery and gender, I’ve got a guest post over on Comparative Geeks about the feminist aspects of NBC’s Hannibal.

Image: the main cast of NBC Hannibal

Hannibal cast via The Huffington Post.

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First of all, many thanks to the audience member who attended Kathryn‘s and my Sakuracon panel “Cross-dressing for Fun and Profit in Anime and Manga”! You were all great, and we enjoyed your questions and feedback. We’re planning on publishing a version of our presentation on our blogs (and hopefully elsewhere if we’re lucky) complete with images and hyperlinks, so stay tuned.

Hiraga Gennai, or "Flail Hard with a Vengeance, a novel by me" (Vol. 10, p. 104)

Hiraga Gennai, though (Vol. 10, p. 104)

Although we ended up having to rush through the section on Ôoku, there seemed to be a lot of interest in the series. I realized when I was writing down information on Ôoku for a lovely con-goer who approached us afterward to chat about the series and Hiraga Gennai that I really, really needed to better organize my Ôoku posts instead of sending people to the category, which is starting to get rather large.  (more…)

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